Marleen Suvi (ES)

am I, a, a, a mistake

200x140cm / egg tempera, charcoal, oil pastel

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water and.. Yeah, I’ll take a glow at H. Yeah, yeah.. Yeah. Can My dear… kir vir negative., coron
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gonna get train…. Christian. Christian. Christ. But I Mal This is one of your ‘c Christina. I can you taking me
to lay out Okay, okay…. Text. V no no vising sug.. B hunted on.. Call Mustakashi, Kisastakashi, kiso, baby,
bago, kitesfeld. Uxheil, geis, spice, stupa, irinda, zinimest. Kaksli, tritlat, nu, de besi, , , , , , , , , , , , , Well, I
know, uk, sure, as, as, as, galactica, and lend them as, what, as, as, as, as, as, as, as, as, as, as, as, as, as,
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t o , t o , t o , t o , t o , t o , t o , t o , t o , t o , t o , t o , t o , w i t h m y d e c k s . ,
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gushkilwez, mu baker, pixi, cox, gor, the heisti, where is, like, Selena, go, Mengi, klupi, el regoros, el kuso,
it, valget, to shirumi, the bedsood, is, like, a lie about, just kuskil, it, kilad. My dynamics is a malamo,
parandes in with paringoko, libricat, molbertel. , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
The text is a transcription of a voice memo I recorded immediately after waking from a dream. I
described the dream in my native language, but because Apple’s Voice Memo transcription does not
accurately support my native language, it interpreted the speech phonetically, producing a hybrid
text of distorted English, fragmented native language, and invented words.
Rather than translating the dream itself, the transcription became a record of its translation through
a machine that could not understand the language it was hearing. The resulting text exists
somewhere between memory, language, and error.
The painting I am submitting originates from the same dream. Together, the painting and the
transcription form two parallel translations of a single experience: one visual, the other algorithmic.
While the painting attempts to reconstruct the atmosphere of the dream, the text preserves its
collapse into noise, misrecognition, and accidental poetry.

(19/25)